Fashioning the word and the world: print, design and communication
I asked of everything/ if it had/ something more,/ something more than shape and form,/ and I learned that way that nothing is empty--/ everything is a box, a train, a boat / loaded with implications, / every foot that walked along a path/ left a telegram written in the stone/ and clothes in the washing water/ dripped out their whole existence. (Pablo Neruda)
In this section, we put on display items related to the power of the word, its form and design to express, empower, protect and connect. Items range from those related to typography and the history of print and design (printing manuals, block printing), to postcards, chapbooks, wedding invitations, wall-paper and costume design, as well as amulets. How a word is laid on the page, designed and configured, reflects as much as embodies, serves, supports and amplifies its functionality and meaning. How one fashions oneself and one’s world, through costume, wall paper, lithographs and images, prints in reference books, all speak of human explorations and creativity in fashioning the self and its world. Techniques, styles and representations are shared and transmitted across geographic locations, cultures, times, as well as mediums and domains (printing, calligraphy, typefaces and fonts, book design, costume design, wall-paper, postcards and wedding invitations, etc.), and then adapted, expanded and recreated to fashion new technical skills and expand new horizons.
Fine art catalogue of electro blocks
Published Bombay: Gujarati Type Foundry, [1913]
BOOKART Z250.A5 G84 1913g Flat
Rare Book & Manuscript Library catalog of illustrations—a mix of influences drawn from Hindu goddess imagery and post-Victorian domestic scenes—is probably intended to be used for occasions such as printed wedding invitations. Also included here is an advertising brochure illustrating the Gujarati Type Foundry's Hand-Power Guillotine Paper Cutter and Platen Machine, which is fitted with an ink duct underneath the ink plate, with three rollers to apply the ink to paper.
Parra, Nicanor (1914- )
Artefactos.
Postcards designed and drawn by Juan Guillermo Tejeda, 1972.
B86P247 G 1972
Rare Book and Manuscript Library
These postcards are part of a larger set in which Parra uses fragments from journalism, everyday speech, slang and advertisement to create his antipoems, a project that breaks with the book format and the self-sufficiency of text. Some of the postcards also reflect Parra’s skepticism about Chile’s Popular Unity government. This edition of Artefactos became rare soon after the 1973 coup d'état, when the rector of the Universidad Católica de Chile, which had published the postcards ordered that remaining warehoused boxes be burned after claiming they represented a deterioration of democracy.
Maksim Osipov (dates unknown).
Oktyabr’ i profpechatʹ (proftextilʹ)
[The October Revolution and Professional Printing (Professional Textile) Design] (S.l., [1924?]). Original maquette for an unpublished collection of textile designs.
MS GENERAL 212
Rare Book and Manuscript Library
Displayed here are two recently-acquired examples of bold patterns for both costumes and wallpaper, dating from a time of great creative experimentation and expression in the young Soviet state. The volume contains thirty-five original watercolors, which range from modernist designs to more traditional florals and theatrical costumes. While we know little about Osipov, Nikolai Ushin (d. 1942), a Petrograd theater designer and graphic artist, designed the title page (not shown) featuring a stylized battleship Potemkin emerging from a color wheel.
Chapbooks
2006-2013
Cordel Literature is a Brazilian genre of inexpensive chapbooks containing poems, songs, or folk tales that range in content from historical events, such as the War of Canudos, to contemporary concerns such as sports and politics. They are traditionally illustrated with woodcut covers and sold by street vendors who display them on a [cordel] string.